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《不安》电影剧情介绍 · 影片档案资料库
影视百科档案：欢迎来到金贝影视电影资料馆。今日为您重点推荐并深度解构的是上映于 1954-11-05 年的经典/热门作品——《不安》（外文名：buan）。作为一部在行业内具有颇高讨论度的 电影 核心题材电影，该片成功凝聚了 其它 地区特有的电影美学与叙事张力。
【主创团队与视听规格】：
本片背后的总导演为 罗伯托·罗西里尼，其独特的镜头调度和氛围烘托为整部故事注入了灵魂。在演员阵容方面，《不安》集结了包括 英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特 等一众具备强劲演技实力的主创人员。影片在视听规格上，官方采用的标准对白语言为 其它，原汁原味的声线配合极大地增强了观众的观影沉浸感。
《不安》电影剧情简介 / 故事梗概：
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
【观影与延伸指引】：
作为一部优质的剧情片电影，《不安》在剧本结构和角色命运的发展上都留下了不少值得探讨的悬念。如果您正在寻找关于该片的完整演职员表、上映时段信息、最新的大众影迷口碑反馈，亦或是希望获取《不安》的高清免费在线观看、正片完整版播放入口，欢迎直接点击页面上方的播放或选集按钮，一键切入专属于您的绿色无卡顿看片通道。
《不安》核心演员表与演职员档案
主创纪实：本片作为一部优秀的 剧情片作品，其幕后团队与台前演员的精彩碰撞为观众呈现了极佳的视听规格。
电影导演： 罗伯托·罗西里尼
领衔主演： 英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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《不安》的大众影评与网友短评（聚合推荐）
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昨晚专门腾出时间全神贯注看完，开篇直接用高密度的矛盾冲突把悬念给立起来了，群像戏雕琢得十分细腻，没有一味地塑造完美的脸谱化角色。氛围感和情感爆发力非常强，基本没有无意义的灌水，这才是真正不把观众当傻子的叙事速度，看得很解渴，给五星推荐！
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说句真心话，导演 罗伯托·罗西里尼 这次在视听处理上很有电影质感。不得不说，主创团队这次在视觉质感上确实下了狠功夫，男女主角的对决极其过瘾，强强对决的推拉感绝了。越往后看反转越多，编剧的逻辑链条拉得非常严密，近期看过的影视作品里的天花板了，冲着这剧本也必须吹一波！
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好家伙，这全片看完，老实说，一开始没抱太大期望，结果演员用细节把人物内心的纠结演活了，非常不容易。全程高能无尿点，电影叙事线环环相扣，没有废镜头，全员狠人，直接盲入绝对不会踩雷，极力推荐！
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